In a 1898 letter Bicknell was reporting to Issel about the carvings of the Ciappu de Cunche, by sending along with the letter a sketch so to reach the locality close to Orco Feglino; in the letter he states to have seen the graffiti during a hike he had done in 1883 with an English woman when he was staying for the winter in Finale Ligure.

The Ciappu de Cunche presents for the territory of Finale the majority of carvings and structures (vessels, small channels, cupels) appropriate for collecting water. Among the most notable carvings we can indicate the anthropomorphic stylized figures, probably from the Iron age, the compartmentalized rectangles analogous to those that are in Monte Bego and an asterisk, extremely worn, typical sun motif of the Metal ages. Some representations (so-called ships and trains) are clearly from the historic age and are relatable to a period between the 17^th and the end of the 19^th century.

One must consider that for almost all of the rocks of Finale, not only Ciappu de Cunche, the absence of deposits and archaeological stratigraphies that seal the carvings, unfortunately, prevent any possible context useful to precise a sure cultural belonging referable to the panorama of knowledge about the Metal ages in Finale, limiting the cultural classifications to typological and stylistic comparisons, integrated by observations on how they were made.

Close to the carvings there is, furthermore, a natural shelter, known as “the throne” with evident traces of anthropic activities made for making the in the cave a sort of seat with niches in the walls.

The rock carvings were unfortunately damaged by vandals at the end of the previous century where they added new graffiti on the walls and, more recently, they were damaged by the passage of mountain bikes and inappropriate shoes, the same thing happened in the sites of Ciappo del Sale and Ciappo dei Ceci.